Antigone in front of the dead Polyneices by Nikiforos Lytras |
March 6, 2014
Job (continued)
28. And he said to the human race, The fear of the Lord that is wisdom, and to shun evil is understanding.Perhaps fear of the Lord could be translated for moderns as reverence for sacred rituals and ceremonies, rather than shaking like a driven leaf before a terrifying Old Testament God. Where and how do we seek reverence?
Plato
in his Protagoras makes a
distinction between creative power (techne)
which is presented as superior to merely natural instincts (physis).
For Plato, only the virtues of "reverence and justice can provide for the
maintenance of a civilized society -- and these virtues are the highest gift
finally bestowed on men in equal measure." Paul Woodruff
(Department of Philosophy at the University of Texas at Austin) in his book, Reverence: Renewing a Forgotten Virtue,
assesses our understanding of the emotion reverence. He thinks reverence is
missing from both modern society and in our discussions of the ancient cultures, especially Greece that
so prized it.
His definition of Reverence is: "The well-developed capacity to have the
feelings of awe, respect, and shame when these
are the right feelings to have" (Woodruff, p. 8)
That is, respect for other people, shame is over one’s
own shortcomings, and awe towards the transcendent. Although Woodruff
acknowledges the relationship between reverence and religion he argues that,
"Reverence has more to do with politics than with religion" (Woodruff, p. 4).
Woodruff tries to separate a misunderstanding
that reverent emotions can only be related to religion.
Reverence reminds us or our limitations; that
human life is finite and that we recognize we cannot acquire absolute truth.
Woodruff describes how reverence is often activated through
music. He states the reverence cannot be expressed in a creed; its most apt
expression is in music. He gives the analogy of a quartet playing a piece by
Mozart. They embody reverence because: (1) The musicians have been engaged harmoniously on a
group project; (2) their project involved
ceremony; (3) they have felt themselves largely without ego; (4) they have felt
themselves to be part of a clearly defined hierarchy that was painless for all
of them; and (5) they have achieved in the end a shared feeling of inarticulate
awe. Thus art speaks the
language of reverence better than philosophy does. Reverence is not dependent on religion, but true
religious experience is dependent on the emotion reverence. For example in ancient Athens the people celebrated reverence in the belief that it is
reverence above all that maintains social order and harmony.
For the Greeks reverence was rooted in a religion that they lived every day. This foundation
was critical because it motivated the people to act
rightly, to be humble, and to support society.
Thus reverence focuses on an ideal that transcends the
scope of humankind. This ideal can vary from God, to unity, to anything else
that transcends human capacity.
You must share a culture with others, and this must support a
degree of ceremony. A reverent person listens to other
people even when they are defective, as that is part of remembering that you are
human together with them. Hubris is best
understood simply as the opposite of reverence, in action or attitude. In the play Antigone, Creon displays hubris
by refusing to bury his dead nephew and this leads to tragedy. In both plays (Oedipus Rex and Antigone) Oedipus and Creon interrupt religious ceremonies being conducted by women. However, in Oedipus at Colonus, because Oedipus trespassed on the holy ground of the Eumenides,
the villagers tell him that he must perform certain rites to appease them.
Ismene volunteers to go perform them for him and departs, while Antigone
remained with Oedipus. In this case Oedipus shows reverence for ritual and
ceremony and is forgiven, perhaps, for his past transgressions.
When attending funerals we expect ourselves and
others to be reverent; the expectation feels natural, and yet the ceremonies
take very different forms in different cultures. One way to experience reverence through art So, we should participate in complicated and refined musical experiences which
can instill in us a state of spiritual reverence.
For others, it may come through participation in simpler rituals such as:
March 9, 2014
AM My neighbor repaired and returned the power washer. Gunk in the carburetor he
said. Yesterday, I took the garden tiller to "Billy's Small Engine
Repair", Billy suspects gunk in the carburetor. (Thanks again federal government
for putting ethanol in our gasoline.) To get to Billy's you drive down a
country road for miles, then turn down a dirt road in the woods marked Dead End.
When you spot some trailers surrounded by a grave yard of rusted lawn mowers,
tillers, and automobiles you have arrived. The driveway is paved with mashed
soda cans. Just as we unloaded the tiller and headed into the shop for
Billy to make a ticket, an older woman emerged from one of the trailers and
asked Billy if he wanted something to eat. Billy said, "I'll take a
sammich." She and I talked a bit about the weather. She had a midwest accent and
said living down here was so much better than St Louis or Denver. I looked about
at all the junk and the ramshackle trailers and said, "I agree, not so much
traffic."
Last fall he repaired my chain saw and charged five dollars, low overhead
I guess.
PM I just drove the new golf cart, aka spray rig, to the pond and this time I
was able to identify the ducks swimming about.
is to listen
to a Requiem. Here are several
to choose from:
Canvas Back Duck